Skip to main content

Grateful Dead Live at Winterland Arena on 1974-02-24




Set 1

U.S. Blues
Mexicali Blues
Brown Eyed Women
Beat It On Down The Line
Candyman
Jack Straw
China Cat Sunflower ->
I Know You Rider
El Paso
Loser
Playing In The Band

Set 2

Cumberland Blues
It Must Have Been The Roses
Big River
Bertha
Weather Report Suite Prelude ->
Weather Report Suite Part ->
Let It Grow ->
Row Jimmy
Ship Of Fools
The Promised Land
Dark Star ->
Morning Dew
Sugar Magnolia ->
Not Fade Away ->
Goin' Down The Road Feeling Bad ->
Not Fade Away

Encore
It's All Over Now, Baby Blue


Collection GratefulDead
Band/Artist Grateful Dead
Date February 24, 1974
Venue Winterland Arena
Location San Francisco, CA

Source shntool fix of original Jay Serafin seed by marmar


Notes

*12-16-2002*
Files were processed using shntool to correct sector boundary errors. FLAC encoding and shntool processing done by Mr. Marmar 12/2002. This can also be tracked to 3 CD's using 80min disks. Move the first 4 tracks of disc 3 to the end of disc 2, and the rest of disk 3 will fit along with all of disk 4....

Reviews

Reviewer: Graeme Sweetapple - - July 30, 2009
Subject: Grateful Dead Live at Winterland Arena on 1974-02-24
With no review for this show I thought i would take the chance and get right in.
I'm totally new to being a part of the archive & coming across all these shows is amazing & humbling.
This to me is an incredible recording from an incredible show, the sound mix is crystal yet radial at the same time, and by the sounds of it each member is allowing the etherical mind melt to really flow, i speak especially of the potent Dark Star were Phil Lesh's bass work interlocks and interweaves like an oiled eel on tequila..100% sublime.
Favorites that stand an inch above the others are Jack Straw>China/Rider>Cumberland>Row>Ship & Weather/Grow.
Having said that I wouldnt sniff at a single note off any of the others at this gig, especially Loser...words fail..music matters.
On first listen I was thinking 'this is slow, perhaps it wasnt pitched speeded right"? especially the opening 20'secs of China/Rider But I reckon they are just playing loose and having fun...& besides if you cant chill into the songs you right now and again whats the point in writting them..
[if you can run two tracks of the D.S back2back with a half second delay between the two, try it by 10:26 I started to feel woozie... better still, dont try it....Bahhhaaarrrr!]
I was gonna give it 4...but its got to be a five.TOTALLY OFF THE MAP!..G
Stream Only
Stream playlist
( VBR )
In Collection
Grateful Dead
In Collection
Live Music Archive
Uploaded by
Matthew Vernon
on 1/11/2009
Views
8,577
Favorites
8
Reviews
1
PEOPLE ALSO FOUND
Grateful Dead
by Grateful Dead
82
0
0
Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown
Grateful Dead
by Grateful Dead
432
0
0
Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
474
0
1
( 1 reviews )
Source: Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
840
0
1
( 1 reviews )
Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from floor Section 8, Row V, Seat 12 by Bob Morris.
Grateful Dead
by Grateful Dead
380
0
0
Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
734
0
0
Source: 2 Nakamichi CM300s/ CP1s X-Y @ 90degrees w/1 Nakamichi CM300/CP2 bisecting the X-Y Pair> Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. Front Row of Lawn 8 foot stand
Grateful Dead
by Grateful Dead
254
0
0
Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
Grateful Dead
by Grateful Dead
279
0
0
Source: AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone.
Grateful Dead
by Grateful Dead
498
0
0
Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Grateful Dead
by Grateful Dead
446
0
0
Source: First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper